A young woman gets involved with an awkward young man but soon they find out that neither are who or what they say they are.

Five people, who have never met face-to face before, become friends through an online university class. They decide to finally meet and take a road trip together after exams. What starts off as a fun trip, turns hectic when they become lost. They meet new people along the way and encounter various problems that test the friendship they just started to build.

Tae-su, a detective fighting organized crime, returns to his hometown for his high school friend Wang-jae's funeral. There, he meets his old friends Pil-ho, Dong-hwan and Seok-hwan and they reminisce. Suspecting something fishy about Wang-jae's death, Tae-su and Seok-hwan start investigating it, each in his own way. Their investigations lead to a land development project that Pil-ho is directing.

Creuzeville, a small provincial town with its woods, its countryside, its ramparts, its mass and its little Sunday cakes. A stranger arrives. He's a private investigator in Creuzeville, over which an old family of industrialists reigns, a murder has just been committed. The victim is the founding ancestor of this small empire that has outgrown one man. In Creuzeville, we hardly like foreigners, especially if they are vegetarians, perhaps homosexuals, undoubtedly anarchists like, precisely, this detective. However the detective by whom the scandal broke broke the silence of the city by going to the heart of family secrets hitherto well hidden behind purple shutters. The murders follow one another. We strike on the left - a young ecologist - as on the right - a cynical playboy. Continuing to dissect the mobiles and the characters, the detective dropped the masks one by one. And, little by little, fear and violence are settling in the small town.

"Alguien se acerca", "Viajeros", "Lilí" and "Azul celeste", four stories directed by Ramón Cervantes, Rafael Montero, Gerardo Lara and María Novaro, respectively.

Over more than thirty years, a department of the Condesa in Mexico City, is the setting in which they are carried out ten stories, mixed, form one whose only constant is the rupture. The passage of time and the outside world only guess through the windows and objects that come with the characters. The set is a great solitude, possible in a city of the blind.

A young family moves into a historic home in Georgia, only to learn they are not the house's only inhabitants. Soon they find themselves in the presence of a secret rising from underground and threatening to bring down anyone in its path.

A Christian allegory in which an experienced demon and his apprentice sow despair, alienation, fear and hopelessness among the customers at a bleak Los Angeles gas station. They are powerless to influence the man who, despite the risk of great personal cost, helps a drive-by shooting victim. The experienced demon admonishes his charge, "Never, ever let them love one another."

Meet The "Ghosts" of American Horror Story's terrifying first season.

After moving to Bogotá for a chance at a better life, a young Korean man rises through the Colombian black market — risking peril for a shot at success.